Monday, November 24, 2008

Oh, the Humannequinity!

As the holiday season approaches, and politicians and economists alike put windfall retail sales atop their Santa wish lists (at this point, not even worshipping a Golden Bull is out of the question), I think we should all remember the those oft-forgotten stalwarts of the American ConsuMonster; the little people who endure long work weeks, horrible office uniforms, and belittling condecension.  And no, I'm not talking about our friends in the elf-impersonating industry.  Love.

I'm referring to those tireless work-and-clothes horses that are our Mannequin Proletariat.  Forced to wear whatever bizarre or tasteless drapery passes for fashion, these oppressed plastic masses go the distance every year against the ravaging hordes of shoppers willing to literally buy the shirts off their backs.  And if an arm get broken here or there, what concern is that to the satisfied customer?

Having taken this about as far as it can go, let me just say that we're now T-minus 3 days from the opening salvo in this year's shop-ocalypse, and never have I felt such a palpable pulsation of consumism as I do in New York.  In a supposedly down economy, retail stores remain packed for base as well as haute cotour items.  While there is a certain tension release we all get from criticizing automakers for flying private jets, there's no less hypocrisy in a city that's facing several hundred thousand job losses in the next year due to the collapse of the financial service industry and yet which still has enough spare change to pickup a few more Armani | Exchange jogging suits.  

I'm no Trotsky, so I'm getting off the podium, but after a short roam on Broadway (where I snagged this swanky new hoodie!), i just thought the general mood (and its infectiousness) should be spread around a little further.

Good luck with your own christmas lists and mob jostling.

Weber
::(lame) Texpatriot


Wednesday, November 19, 2008

Pigskin Playbook

Let me open with a few disclaimers:
1) I am a football fan. Not sure how that clashes with my imposed self-identity as an outsider, counter-culture, anti-mainstream whatever. But there it is.
2) I have never played football, making my comments on the sport either a) unbiased observation or b) full of crap.

For my undergrad years, I attended a Division III school, meaning that athletic scholarships were not allowed, and therefore the football skill level was shaky, at best. Oddly enough, despite decent successes within the division, Trinity students as a whole were not football fans, especially odd since the campus biased towards conservatives and Texans, both firmly entrenched in the Football demographic.

Now that I'm studying in a very different environment, an "East Coast" "Ivy League" school, I was very curious to see what this would entail in the gridiron dimension. So last Saturday I braved the elements to attend the final home game of the year, Columbia U Lions vs. Cornell U Bears.

It should be noted that Columbia has, even among the Ivy League schools, a notoriously bad football team. As overheard from a radio broadcast of their previous performance, "Coach, what do you think happened today that allowed the Lions to lose to one of the only teams they were expected to beat this year?"

It's New York, so the stadium is nowhere near campus. Instead, it's perched on the northernmost tip of Manhattan Island. How far north? Have a look yourself, it's visible via Google.

So after a subway ride, I got to pick my seat thanks to the 3/4 empty bleachers. This clearly is not Texas A&M!

The field play itself was sadly much was I was accustomed to from Trinity. Simple run plays, lofty passes, and lots of turnovers. But the crowd, essentially equal in size to the the Trinity crew, and of similar composition (mostly alumni, some team parents). One interesting addition was a Harlem youth program, who apparently came to see their first live football game ever. They were a mixed blessing, filling the seats, but cheering exclusively for hard tackles, regardless of which team.

What stuck with me was the Columbia 'pep' band, known (entirely to themselves) as "The Cleverest Band in the World." Cornell had a full marching band in standard regalia - hats, military-style vests, flashy instruments and - I think - feathers. Columbia, the home team, didn't exert itself so much, with the entire band wearing (dirty) white and blue polos. And in this instance, performance followed presentation. Cornell played more difficult material, more often, longer cuts, and more convincingly.

But what Columbia lacked in style, professionalism and talent, it tried to make up for in wit.
This is an old equation I'm familiar with, we even tried (unsuccessfully) to adopt it at Trinity. You admit the obvious - that you aren't very good at X skill - then you emphasize how pathetic X skill is, and how you're superior Y skill totally negates or even explains your X-deficiency.

When Trinity pulled off the Missippi Miracle last year, the team suddenly gained national attention for what was an isolated event. In joking about the incident, and implying the team's lack of skill was offset by their theoretically higher academic standards, President Brazil joked, "That's the great thing about Trinity students - they can run a play Exactly as you draw it out for them." The punchline works, knowingly, in the absurd.

And it's clear Columbia has a long tradition of a similar effort. Lead by the pep band, who does considerably more cheeky banter than inspirational playing, the small crowd of die-hard fans run through a host of set and improvised cheers, usually involving at least one reference to a classical philosopher, and at least one innuendo that the other team (all Ivy Leaguers themselves) can't keep up off the field.

But perhaps my favorite was the self-aware post-modernism of the band. In total and intentional disarray, they practically snarled not at the other team or spectators, but mostly at the opponent's band itself. For every traditional football fight song played by the other team, they had a known responsive cheer of utter derision. One such transliteration: Da-da-daaaa-da-da, Hey "Highschool fight song"

I'm still coming up short of a salient point, but there is something here - that in our society where the most successful/powerful people are not necessarily the ones possessing the most physical prowess, we have created an attitude that extends far beyond the football field. It's not just arrogance, and it's not simply valuing intelligence over brute strength. I think it's clear that in these examples, we're using knowingly exaggerated characteristic to compensate for our feelings of inadequacy. If we really weren't bothered by someone else being better at football than us, why would we bother to rebut? Somehow, losing at football still suggests to us that the other team is better than us - in a full meaning of the term - and so our only response is to downplay the significance of the defeat, and insist upon our superiority in another, untested, field.

I could go on, but we both probably have more important things to do.

Weber
::(lame) Texpatriot.

Wednesday, November 12, 2008

Weber in Hi-Fi

More than just a great movie with John Cusack (and before that a decent book by Nick Hornby), High Fidelity is a mark of audio quality. A certain standard where technical expertise intersects artistic taste.

And there stands Weber, at the crossroads.

For those of you who kept saying I couldn't stay away from radio for long, kudos. You got me.

While my return to terrestrial (normal) radio is delayed by a variety of factors ranging from inconvenient to downright retarded (both definitions), I decided to circumnavigate the system and at the urging from some family and friends have launched a very limited outlet for myself.

It's called WSRP (weber surrogate radio project) and it's my opportunity to DJ 1 hour of music every week and share it with family, friends, and anyone else hooked up to the blogozone.

I'll mostly be focusing on jazz, but with some forays into other music of interest such as indie rock, swing music, or whatever else crosses my path.

It's not the best radio you could ever listen to, but it is updated weekly, totally free, and coming from a source you can trust - me.

right?

Think it over, I've posted the first month+ before going public just to see if I could really keep it up and/or to see if it would be as much fun as I originally thought. It is, so here you go.

apologies for the (lame) web address. Believe it or not, http://wsrp.blogspot.com is already taken. And if I ever meet Surbhi S Gupta of Woodbridge, NJ I'm going to have words.



Weber
::(Lame) Texpatriot

Sunday, November 9, 2008

The Bruce

This is a hard post to start.  Not because I have any lack of witty one-liners or in-depth reference material, but rather because I have so much to say about an admittedly pathetic subject that it's actually embarrasing.

So let me start with this - at least I'm not this guy.

For those of you in-the-know, Bruce Campbell needs no further explanation.  For the rest of you, where to start?


He's an actor, most well-known for his role as "Ash" in the Evil Dead series, and recently for his return to popular awareness as a sidekick on the TV show Burn Notice.

The story here is his lowly beginnings making cheap horror B-movies with his college buddies, Sam and Ted Raimi.  As time passed, he got a few other legit jobs, but his fame (though not fortune) always came from more obscure cult roles.  Aside from the above two, he was also the lead in the (awesomely cancelled) TV show Brisco County Jr.,  with recurring roles on Hercules and Xena thanks to the Raimi connection (also in every Spider Man film).  His last full-power film was the indie genre-bending hit Zombie-Elvis-Comedy-Horror Bubba Ho-Tep.

He also wrote a ridiculously entertaining autobiography.  I recommend it.

And I got to meet him.

Ok, we didn't shake hands.  But I did get to talk to him.  From 20 ft away.  By raising my hand.

The deal is this - Bruce just made a new film, My Name is Bruce - written, directed & starring Bruce Campbell.  It's about people who really like Bruce Campbell, and the real-life Bruce Campbell who may or may not be identical to the overblown monster-fighting character he portrays.

Every new film needs an opening, and what is an opening without star power?  Especially when star power and an obsessive fanbase is all you have to rely on (My Name is Bruce makes no claims on writing or cinematic innovation).

When it was time for the Q&A following the screening, Mr. Boomstick himself came out to take the questions.  After the perfunctory items (Will you make Evil Dead 4? Sure, when we get the time;  Will you be in my student film? No, I don't do first-time directors), I took a shot.

It went something like this:
"Hey Bruce, you've specialized in a certain calibre of films in your career (at this point Bruce interrupts me - "what are you saying?  that I make low-calibre films?") No, just that at this point in your career you can accept or decline projects as you see fit, and yet you seem to continue getting involved with very similiar, or off-the-wall films.  ("I see what you're getting at.  I make bad movies, is that it?") No, No, I would say that you have specialized in a type of entertainment ("bad movies") - Ok, let me get to my point.  Given the movies that you have been involved in, what criteria do you use when deciding to accept or reject a script? ("You mean, my movies are so bad how could I ever turn one down?")  Seriously - how do you choose you scripts?

Do I have your rapt attention yet?
simple answer:  "I don't do anything with a first time director, and I don't do anything with the word zombie anywhere in the title or the script.  Zombie's just aren't a good villain - they're slow, unemotional, uncompelling.  You can't act 'against' a zombie, you just run-walk away, and that's hard to make compelling."

And then he signed a girl's arm.  She had a huge ($700+) tatoo of his Ash character (with shotgun and chainsaw), so she had him sign it with sharpie so she could go and get his autograph tatooed on top of it (pictured at top).

Crazy.

But really, you should go see My Name is Bruce - or chop off your own arm with a chainsaw.  Whichever you think will be less painful.

Weber
::(lame) Texpatriot

Wednesday, November 5, 2008

Yes (he) Can.

What could I possibly write in here that you haven't already thought or read today? Barak Obama is the president-elect of the United States of America. He is a young, inexperienced senator from Illonios who happens to be the son of a Kenyan, from a mixed-race marriage, raised in Hawaii by an unconventional mother-grandmother arrangement. And he's a democrat. I'm not sure which detail makes his victory most unlikely, though there will soon be a small section in your local bookstore devoted to "How Obama changed America for..." single parents/children of immigrants/ you get the idea.

Still, when all's said and done, it's a remarkable end to what was already an historic election process in several other ways. It was the longest election ever, with some of the most upsets (remember the primaries - Huckabee, Guliani, Hillary?), and some of the most money ever spent to bribe - er, pursuade - America to vote.

I don't know how the news went down in my native Oklahoma or adoptive TX, but I'm sure it wasn't anything like New York. Not because NY is bigger, hipper or whatever. For many of the
people I shared the evening with in Times Square, an Obama victory was much more emotional than any political event I've seen in America. Sure, people cheered, screamed, etc. But they also cried. And even the men and women, black and white, citizens and foreigners (it's times square, so assume a 20+ % foreign audience) who weren't outright balling, were stunned into silence between the fits of ebulient joy.

This election meant something. It mattered.

But come on folks, we didn't just cure cancer or end apartheid.

I'm torn. I don't want to take away something very special from this moment - a unified sense of purpose and, yes, Hope. At the same time, I'm not quite buying it. In fact, I was a little surprised by my own level of scepticism, at least in its disparity with those around me. I was down there in the thick of it - not because I'm a huge Obama or McCain supporter - but because I find the process fascinating. I'm emotionally invested in the social dynamics of voting, the gasps and moans of a dangerously misrepresentational electoral system, and the media circus that is 6+ hours of talking heads making huge assessements and wild statements they can't possibly back up in an effort to fill time between result reports.

And no, I don't think John McCain would have made a bad president. In fact, I think he'd be pretty damn good. I like Obama better - that's where my vote went - but let me add that I think John McCain can make a much bigger difference in the Senate than Obama could. So to each his own, my vote got me the best of both worlds, as I see it.

And kudos Texas, by the way. 47% democratic statewide is darn respectable.

So am I bashing on the Obama potential before it gets started? No! No no no no no no no. I just want to keep things in prespective. In my book, this country gets better - MARKEDLY BETTER - as soon as George W. Bush no longer has any authority to rule. He could hand his sceptre to Dick Cheney, Sarah Palin or the Easter Bunny, and I'd still rejoice for the moment. As for the moment after that, I give Obama good odds not to repeat the same mistakes as G-dub, to try and repair one or two of the dozens of things Bush has done to ruin this country, and maybe whoever replaces Obama in 4 or 8 years can finish the job and get us back to where we were in 1999. But I doubt it. Time doesn't go backwards, and longing for an idealized past when we
didn't have trillions of dollars in debt, a failing economy, an endless war and international hostility isn't going to bring it back.

We can only move forward, and while I'm not sure Obama has the super-human ability to accomplish all that with the bat of his eyelids and sweat of his brow, I'm willing to give him the benefit of the doubt, and a little flexibility when he comes up shy, just as I would have done the same for McCain.

Because really, what choice is there but hope or bitterness?

Weber
:: (lame) Texpatriot

Monday, November 3, 2008

Why Clark Kent is so much cooler than Superman

1) He actually has a real job with a paycheck.
2) His dress code doesn't involve tights or spandex.
3) He wears glasses.
4) He is respected by his peers for talents that he's cultivated through hard work and ability, rather than for his "supernatural gifts" which he never earned.
5) He never confuses physical domination with moral/ethical superiority
6) He's much easier to make into a Halloween Costume.

so guess what I dressed up as for Halloween?

Look, in the Subway. It's a Nerd! It's a (Lame)! no, it's SuperDork!

Honestly, this photo is so ridiculous as to make even me laugh through the embarrassment.

Just to be clear, I did not dress up as Superman in full, nor was i so (lame) as to dress strictly as Kent. I was in-transformation all evening, which would be about 500 times cooler if i wasn't the 2 billionth person to think up this costume idea.

A word of warning, though. If you ever decide to mock up as Kent, and need some internet help for the details, be wary of Google. A "Clark Kent" image search will net you some screen shots of Christopher Reeve, Dean Cain and Tom Welling, but if you have the "moderate safe search" off, because we're all adults here, just be ready for the flood of gay porn that will await you. Not that there's anything wrong with that...

So yeah, Clark is 'cool' in a strictly nerd-idolizing way, and I am equivalently 'cool' for the lengths to which I went to make such a simple costume so painfully detailed.

Because what is a reporter without his photo-ID press pass, a copy of the day's newspaper (with a relevant headline), and various other acoutrements? And Clark Kent is nothing without his uncooler-than-you glasses and not-very-snappy khakis.

Luckily, the glasses and trousers were no problem thanks to my unstylish past and inability to get rid of things. Even though I didn't own a Superman emblem T ($20 to purchase), I managed to make do through the clever use of an cereal box (in the S you can just make out "frosted bites [of] shredded wheat").

I won't claim it was a total success, and to be honest to subtelties of my costume were completely lost when I got down to the insanity of the Village Halloween Parade, where anything short of white-face, green-hair, purple-jacket Jokers just weren't cutting it this year.

Still, I had my creative outlet (however limited and conservative it may be) and got to walk around a major Metropolis for a few hours feeling like a secret super-hero. There's probably some deep pyschological analysis that could be inserted here, but before you go too far, realize that Kent just barely beat out my #2 costume idea. I was going to grab an old-tshirt and using Sharpie write "Go Ceilings!" on it. Totally stolen from an on-line costume search, the "ceiling fan" costume probably would have actually been better, faster, funnier and more comfortable.

But hey, it's not every day that you get to dress up as a non-superhero. Or maybe I just like Kent (as Reeve's bumbling-but-noble portrayal) more than I actually like ceilings.

Weber
::(lame) Texpatriot